reproduction of family:part 5 /The group

For decades, the attic of the Tropenmuseum in Amsterdam housed a number of life-size dolls –
forgotten and covered in dust, until I discovered their special history.
Made in 1938 by German doll maker Käthe Kruse, who had been commissioned by the museum, they
became the embodiment of the Dutch colonies at the 1939 World Exhibition in New York. In this
work ‘Reproduction of family part 5: The Dollhouse’ (2019) I reflect on the history and role of props as
museum productions in relation to colonial histories. By zooming in on the skin of these dolls,
damaged by the passage of time, and on the context of their history of origin. In a critical narrative,
I want to  give a voice to the props as forgotten colonial objects and examines the ideas surrounding their
creation and presentation. This work  questions the role of the museum as a producer of
‘culture’ when it comes to colonial and post-colonial histories, and the use of imitated human beings
as exhibited objects. At the same time their are parallels with how the colonial “body’ was treated and objectified.

specials thanks to
The Netherlands Organization for Scientific Research (NWO) , Reseacrch center for Material Culture, Wereld museum Rotterdam,
Speciale dank aan het kathe kruse Museum and the Tropenmuseum,

 

 

 

 

Surinaamse markt scene uit wereld tentoonstelling 1939 poppen vervaardigd door kathe Kruse in opdracht van het Tropen instituut. Uit de collectie van het Museum van Wereld Culturen.